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The Father Of Cubism: In cubism there was no room for the unreserved pathos of the Blue Period orthe ingratiating aestheticism and melancholy of the Rose Period. It was not until after cubism that Picasso returned to more traditional patterns. But even then he did not use antique sculptures again, but adopted a classicist style.
Stieglitz was elated that Pablo Picasso liked The Steerage. The father of Cubism was at that time painting his Les Demoiselles d'Avignon, the canvas that was to mark a turning point in the style of the century.
It was also at this time that Stieglitz, at the instigation of Steichen and with his enthusiastic help, began to champion the most progressive painting and sculpture, as well as photography.
Musical instruments had always been a subject in cubism, and the hands, which are far too small, recall those words of advice that his father gave him and that he neverforgot: "The hand can be recognised by the hands." In this picture there are elements which are familiar and recognizable and others which are dissonant and ambiguous. Both kinds form a unified creative whole, and one is tempted to call it "classical", at least within Picasso's art.
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